https://ogma.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:41209 Thu 28 Jul 2022 12:15:20 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:38829 Eastward Ho! (1605), written alongside George Chapman and John Marston. Jonson’s early experiences of social credit in the playhouses is examined, especially his relationship with the impresario Philip Henslowe and the Admiral’s Men, as well as his later partnership with the Children of the Queen’s Revels. Close reading of Eastward Ho! reveals how Jonson, Chapman and Marston wrote the kinds of debt and credit relationships they experienced in the companies into the play’s plot. In a play deeply interested in the social effects of performance, the characters constantly enact collaborative devices to add to their credit. The play’s comic ending, dependent on performing collaborative credit, mirrors Jonson’s own immersion in the economy of obligation in the theatres. His eventual literary singularity, and his commensurate sociality, were not separate parts of his career but central to his playwriting practice. [G.E.]]]> Mon 14 Feb 2022 16:06:30 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:54839 Fri 15 Mar 2024 15:18:47 AEDT ]]>